My Gear

CAMERAS

A black Sony mirrorless camera with a large sensor and a silver lens mount but no lens attached. The camera has various control dials and a textured grip on the left side.

Sony A7III: A full-frame beast that crushes low light and shoots both photo and video like a pro—all without breaking the bank.

Sony Alpha 7R mirrorless digital camera with a black body and a large sensor in the center.

Built for creators who demand detail, the Sony A7R III offers 42MP stills and 4K video with precision and speed. It’s ideal for professionals who need both high-end image quality and versatility across photo and video work.

A DJI Osmo Pocket 2 handheld camera mounted on a tripod with a flip-out display screen, with a separate DJI microphone attached to the side, used for videography.

Big performance in a tiny package—the DJI Pocket 3 is my secret weapon for buttery-smooth BTS and crisp 4K content on the fly.

A black GoPro action camera with a front display showing recording details and a large lens on the front.

The GoPro Hero 8 has been my trusted behind-the-scenes workhorse—reliable, compact, and rugged. Whether I’m in the studio or chasing sunrise on the beach, this camera captures smooth, wide-angle footage with excellent stabilization and durability in any environment. It’s built for creators who don’t slow down.

Close-up of a GoPro action camera showing the lens, a small speaker or microphone, and the blue GoPro logo on a black body.

Every angle. Every moment. The GoPro Max 360 sees it all—BTS with no blind spots.

LENSES

A professional telephoto zoom camera lens with focus and zoom rings, mounted with a tripod collar, designed for high-quality photography.

Sony 70-200 GM—tack-sharp, buttery bokeh, and built like a tank. It’s my go-to when I need compression, reach, and detail.

Close-up of a Sony G-series camera lens marked with specifications and aperture settings.

My go-to for video—Sony 24mm f/1.4 GM. Lightweight, sharp, and melts the background like butter. Wide-angle storytelling done right.

Close-up of a Sony camera lens, model FE 85mm f/1.8, with a red dot and textured focus ring.
A Sony FE 50mm f/1.8 camera lens with black finish and ribbed focus ring.

Small, sharp, and seriously underrated—the Sony 85mm f/1.8 is my secret weapon for clean, crisp portraits every time.

Don’t sleep on the Sony 50mm f/1.8. It’s a bit chatty on video, but the stills? Tack sharp and dreamy and cheap. Best bang for the buck lens I have.

Gimbal

Camera mounted on a stabilizer gimbal with a Ronin stabilizer handle.

Sony A7III + DJI RS2 = buttery-smooth motion every time. No shake, just cinema.

Lighting

Godox portable LED light with digital display and control buttons.

Big light, small package—my Godox AD400Pro never lets me down. Clean, crisp, and always ready to fire. Its even taken a dip in lake Michighan and its still going.

A camera flash unit with a green LCD screen and multiple control buttons and dials.

Small but mighty—my two Godox V860IIs let me sculpt light wherever I go. On camera or off, Flash freedom, no cords attached.

The image shows an Amaran P60c LED video light with control panel and adjustable mounts.

I use two Aputure P60c LEDs to light my video shoots with precision and creativity. Their RGB capabilities let me shift the mood instantly—warm, cool, dramatic, or cinematic. Whether I'm filming interviews, reels, or stylized content, they deliver pro-level lighting with full control right from my phone.

Aportable Aputure LED light controller with a digital display showing hue set to 360 degrees, black body with red trim, and control buttons on the side.

Don’t underestimate its size—the Aputure MC delivers crisp, customizable light with full RGB control, built-in cinematic effects, and surprising output for its footprint. Whether I’m adding a pop of color to a background or using it as a quick key light on location, it’s my go-to mini LED for creative flexibility.

Photography lighting kit with two softbox lights, stands, and a black carrying case, branded Westcott.

Lighting can make or break a shoot—and this Jen Rosenbaum 2-light setup is a total game changer. I use these constant lights for all my boudoir sessions, and the results speak for themselves: soft, sexy, and studio-level every time."

Godox X1R wireless flash trigger with display screen and buttons

I use the Godox X1R-S TTL 2.4G High Speed Sync Wireless Remote Flash Trigger Receiver

A black Feelworld camera monitor with a large display screen and control buttons on the side.

Field Monitor

Pairing the A7III with the Ronin SC2 and the FeelWorld F5 Pro V4 gives me that crisp, cinematic 4K flow. This little monitor lets me frame and focus perfectly—even in bright outdoor conditions.

Gray shoulder bag with strap and zipper pocket

Camera Bags

If I want to travel light and limit the mount of equipment I carry while doing street photography. I grab this… The Peak Design Everyday Sling 10l. I find its the perfect size and I can throw it over my shoulder and not worry about losing my gear.

Gray backpack with front zippered pockets and a top flap

I use the Peak Design Everyday Backpack 20l when I need to take a moderate amount of gear to a shoot.

Black backpack and a matching black lunch tote with red accents on a white background.

The largest bag I have but its my workhorse. This 35l Pgytech One Mo 2 camera bag is what I usually take to shoots where I need that extra bit of storage. It has a plac for everything and everything is in its place.

Tripod

Tripod standing on a flat surface with adjustable legs and a mounting head at the top.

I have purchased one tripod in my career and its the K&F Concept Tripod KF-TM2324. I haven’t needed anything else…

If you made it all the way down here, you must really like my work! Why not hit the “Contact me” button to get started. :-)

Let’s create together!

If you’re ready to book a shoot or collaborate on a project, I’d love to connect.