CAMERAS
Sony A7III: A full-frame beast that crushes low light and shoots both photo and video like a pro—all without breaking the bank.
Built for creators who demand detail, the Sony A7R III offers 42MP stills and 4K video with precision and speed. It’s ideal for professionals who need both high-end image quality and versatility across photo and video work.
Big performance in a tiny package—the DJI Pocket 3 is my secret weapon for buttery-smooth BTS and crisp 4K content on the fly.
The GoPro Hero 8 has been my trusted behind-the-scenes workhorse—reliable, compact, and rugged. Whether I’m in the studio or chasing sunrise on the beach, this camera captures smooth, wide-angle footage with excellent stabilization and durability in any environment. It’s built for creators who don’t slow down.
Every angle. Every moment. The GoPro Max 360 sees it all—BTS with no blind spots.
LENSES
Sony 70-200 GM—tack-sharp, buttery bokeh, and built like a tank. It’s my go-to when I need compression, reach, and detail.
My go-to for video—Sony 24mm f/1.4 GM. Lightweight, sharp, and melts the background like butter. Wide-angle storytelling done right.
Small, sharp, and seriously underrated—the Sony 85mm f/1.8 is my secret weapon for clean, crisp portraits every time.
Don’t sleep on the Sony 50mm f/1.8. It’s a bit chatty on video, but the stills? Tack sharp and dreamy and cheap. Best bang for the buck lens I have.
Gimbal
Sony A7III + DJI RS2 = buttery-smooth motion every time. No shake, just cinema.
Lighting
Big light, small package—my Godox AD400Pro never lets me down. Clean, crisp, and always ready to fire. Its even taken a dip in lake Michighan and its still going.
Small but mighty—my two Godox V860IIs let me sculpt light wherever I go. On camera or off, Flash freedom, no cords attached.
I use two Aputure P60c LEDs to light my video shoots with precision and creativity. Their RGB capabilities let me shift the mood instantly—warm, cool, dramatic, or cinematic. Whether I'm filming interviews, reels, or stylized content, they deliver pro-level lighting with full control right from my phone.
Don’t underestimate its size—the Aputure MC delivers crisp, customizable light with full RGB control, built-in cinematic effects, and surprising output for its footprint. Whether I’m adding a pop of color to a background or using it as a quick key light on location, it’s my go-to mini LED for creative flexibility.
Lighting can make or break a shoot—and this Jen Rosenbaum 2-light setup is a total game changer. I use these constant lights for all my boudoir sessions, and the results speak for themselves: soft, sexy, and studio-level every time."
I use the Godox X1R-S TTL 2.4G High Speed Sync Wireless Remote Flash Trigger Receiver
Field Monitor
Pairing the A7III with the Ronin SC2 and the FeelWorld F5 Pro V4 gives me that crisp, cinematic 4K flow. This little monitor lets me frame and focus perfectly—even in bright outdoor conditions.
Camera Bags
If I want to travel light and limit the mount of equipment I carry while doing street photography. I grab this… The Peak Design Everyday Sling 10l. I find its the perfect size and I can throw it over my shoulder and not worry about losing my gear.
I use the Peak Design Everyday Backpack 20l when I need to take a moderate amount of gear to a shoot.
The largest bag I have but its my workhorse. This 35l Pgytech One Mo 2 camera bag is what I usually take to shoots where I need that extra bit of storage. It has a plac for everything and everything is in its place.
Tripod
I have purchased one tripod in my career and its the K&F Concept Tripod KF-TM2324. I haven’t needed anything else…